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Ashem Ghedlem Goy
₹47“Ashem Ghaddlem”, which translates to “This is how it happened”, is a detailed re-telling of all the major incidents of Goa’s freedom struggle. Written by Zotiku De Souza, this book can be considered as a reference book for anyone who would like to know about the history of Goa’s liberation, in a short period of time and uncomplicated Konkani.
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Goenchim Devasthanam
₹120This book is about the history of temples, their distances from Panaji, Margao and Vasco by road, and the main festivals being celebrated at every temple.
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Goenchim Dhalo Gitam
₹400The book is a compilation of Dhalo- folk songs which are in vogue of around eight Talukas of Goa. Around 700 Dhalo songs are included in this book. These songs are classified as per the different rituals of Dhalo.
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Opinion Poll
₹200Book is about events and documentation of famous opinion poll of Goa, to remain as Union Territory or Merge in Maharashtra state.
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Prerana Rukh
₹300Prerana Rukh means inspirational tree. Biographical essays in Konkani illustrating the contribution of important 20th century personalities of Gomantak Marathi Samaj.
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Rajbhas Andolan
₹150Book is about the famous agitation by the people of Goa To make Konkani as the official language of Goa and attain “STATEHOOD” thereby.
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RUNANUBANDH
₹100समाजाक स्फूर्त दिवपी विंगड मळांचॆर कार्य जांच्या हातसून घडलां अशीं १२ व्यक्तिचित्रणां ह्या पुस्तकांत आसात.मॊ. ग. रांगणॆकर, प्रफुल्ला डहाणूकर, डाँ, व्ही कॆ गॊकाक, रामकृष्णबाब नायक, रवींद्र पिंगॆ, पं. प्रभाकर कारॆकार, व्यं. ना. नाईक, मधू गानू, भिकूबाब पै आंगलॆ, वसंतबाब बॊरकार, बाबा बॆलसरॆ, फादर एच ऒ माश्कारॆन्यश
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SATICHE VAAN
₹250This is the autobiography of the Great Goan Freedom Fighter Shree Mohan Ranade written by him and translated by Shree Dilip Borkar in Konkani.
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Shree Dnyaneshwar Alokik Vyaktimatva
₹100ज्ञानेश्वरी हातांत घेतली की ती बद्द काळजांतूच देंवता. ओवये फाटल्यान ओवी अर्थ-सौंदर्यान भरिल्ली जावन खेळत खेळत येता. दर्याचे भरतेच्या ल्हारां भशेन एकमेकींक खो दीत मोगान खेळत, फाटींफुडें जायत, स्वताच्या जाग्यार अखंड कल्लोळाचो खेळ खेळटा. श्रीज्ञानेश्वरांचे प्रतिभेची ही सागरक्रिडा अणभवत रावचें. ते सागरक्रिडेचो आनी त्या सागर संगिताचो केन्ना कंटाळो येना. प्रत्येक ल्हार वेगळें तरी पयलेंतलेंच दुसरें आनी दुसरेंतलेंच तिसरें आनी सगलें मेळून परत एकूच अथांग-अपार-सागरलीला रूप! म्हणून ल्हारां अनंत आसलीं तरी तांचें सागर संगीत, एकसंघ,गंभीर, अवकाश भरून उडोवपी, सगलें व्यापून खंयच नासपी; केवळ अपूर्व! ज्ञानेश्वरीचें स्वरूप हें अशें एक भव्य नाटयचित्र.




















